It is time, once again, for the Baltimore Summer Antique, Fine Art and Antiquarian Book Fair…four days in Baltimore. Woohoo. I left early Tuesday morning and drove straight through to Lutherville, MD to spend the night with Ned Sparrow and his family. The trip was long but largely uneventful. I arrived in a pretty zippy 9ish hours even with a quick stop to help a woman change her tire on the side of the road (she was kicking her flat while yelling at it…was absolutely surprised to discover that there was a jack in her car). Loud music and air conditioning made it all possible.

I arrived at the hall a little early and was able to pull right in and park next to my booth. I was able to unload and be parking the van around 10am. Things *started* of well. I had the tables covered and shelves/lighting/etc set up in a pretty efficient manner…then things when awry.  I started on the trophy case…it is a see-thru case so I can set it up “facing” both directions. I really like a case to be pretty “dense” with a lot going on and interesting things to look at (with luck, loosely connected one to another-there should be some link from one item to the next…). I do not know for certain, but I think I might have spent about 4 hours on the trophy case (please blow up the pictures below and explore <g>).

I can get in at 9am tomorrow morning. I think I have about an hour or two until it is *done*. We shall see. Sold a few things…bought a few things. So far, so good.

As I’m beginning to pull together things for the Baltimore Show, I was reminded yet again how much I love what I do. These five items are currently on my coffee table-370 years of printed matter. What a great way to spend one’s time.

I just took some quick shots of An Alphabet of Extinct Mammals and was reminded yet again just how much I love this book. Description and images below (they will blow up nicely if you open them in a new window). There are still copies from in the run, let me know if you, too, must have a copy of your very own:

Wakefield, D.R. An Alphabet of Extinct Mammals. The Chevington Press, 2009. Limited Edition. Tight, bright and unmarred. Quarterbound, brown leather spine, hand-made pastepaper boards. fo. Illus. (color plates). One of 55 numbered copies. Hardcover. Fine. No DJ, as issued.
Twenty-seven printed color etchings including frontis [self] portrait. Etchings printed on a 19th century star wheel engraving press. Text set by the artist and printed on an early Ullmer and Watts Albion Press. Bound by Grey Parrot (who also made the paste paper). A stunning return to the nature history books Wakefield created in the 1980s, in which he has taken the theme of mammillian extinction and created an alphabet of animals which no longer exist. The artist’s lifelong obsession with natural history has been transferred to these sadly extinct creatures with his beautifully rendered etchings and explanatory notes.

The first is for fun:

Rachel Bloom is a comedian and writer and *really* loves Ray Bradbury. Her love has manifested in this amazing video she recently wrote/produced/sang. She gets a discount with me forever. [N.B. NSFW]

The second is a great bit of writing/response by Stephen Gertz. Mike Shatzkin, an “e-publishing consultant”, recently posted an article titled, “The Printed Book’s Path to Oblivion“. It is another in a series of e-pub hype posts trumpeting the death of the printed book and the glory of ebooks (and a more self-serving one than most, given the author’s professed specialty). It is a shining example of someone who “gets” one element of a complex system (e-books), yet has no real concept of other elements of the system (e.g. the experiential difference of a book in hand). SG spends the time to eloquently deconstruct Shatzkin’s post…it should be required reading. Enjoy.

The Image Permanence Institute has created a tremendous new tool for those of us who work with different types of prints…more importantly, those of us who need to be able to tell the difference between a mezzotint, aquatint, etching, engraving, etc. The site, Graphics Atlas is:

…a new online resource that brings sophisticated print identification and characteristic exploration tools to archivists, curators, historians, collectors, conservators, educators, and the general public.

The site is divided into three sections:

Guided Tour: Learn about specific printing methods.

Compare Processes: Compare different techniques…interestingly, you can change the “lighting” on given prints, etc.

Identification: Step-by-step instructions to identify specific processes.

As Terry Belanger would say, there is *no* substitute for having examples in hand…but this site is as good as one can hope and I expect it will be a great help.

Happy summer!

It has been a very busy one here with new material coming in and some interesting adventures in and around books. My older son, Aidan, and I attended the Rare Book and Manuscript Section of the ALA’s Pre-conference in Philadelphia. While spending a week hanging out with Special Collections librarians is more fun that one could reasonably expect, this year’s gathering was particularly fun.

One of the more entertaining things that emerged from RBMS2010 was that Mark Dimunation (Chief of Rare Books at the LIbrary of Congress), Christina Favretto (Head of Special Collections at Univ. of Miami), and I started a biblio-food blog, “…and a side of books“. A number of additional contributors have already joined us and it is shaping up to be a very fun project.

In addition to attending RBMS, Aidan worked very hard this summer cataloguing 100 miniature books consigned to him by a wonderful collector who was excited to help “bring along” a [very] young dealer. The catalogue will be debuted at this year’s Miniature Book Society Conclave (and will be posted online sometime shortly thereafter). I do not know if anyone younger than 12 has issued a rare book catalogue, but I do know he has been significantly more productive than I was at his age. I could not be more proud.

We have had some exceptional Fine Press material come in (including Wakefield’s newest work and several unique and “super deluxe” Baskin works) in addition to new (to us) emblem and color plate books. I recently pulled together a short list that I hope you will find to be an interesting collection of unique, unusual, and/or interesting things. Though much of this list falls on the “very special” end of the spectrum, please remember that we have a wide range of stock and would love to hear from you regarding specific interests and wants.

We are, as always, busily working our way through the perpetual backlog of collections coming in. Please let us know if there is any specific material you might be seeking…we’d be happy to provide .pdf catalogues and/or bring specific items to any of our upcoming fairs.

Please consider marking your calendars for fall with the following shows. We hope to see you at at one or more (and we have passes to most/all-email me if you would like one):

Baltimore Summer Antique and Antiquarian Book Show
Baltimore Conv. Center, Baltimore, MD – Sept. 2-5

Seattle Antiquarian Book Fair and Book Arts Show
Seattle Center Exhibition Hall, Seattle, WA – Oct. 9-10

34rd Annual Boston ABAA Book Fair
Hynes Conv. Center, Boston, MA – Nov. 12-14

Thank you, as always, for your consideration. Please do not hesitate to contact us if and when we might be of further assistance.
Warm regards,
/ijk

Ian J. Kahn
Lux Mentis, Booksellers
Antiquarian & Fine First Editions – Specializing in Library/Collection Development
110 Marginal Way, #777
Portland, ME, 04101
207-329-1469
http://www.luxmentis.com
Member ABAA/ILAB

P.S. Finally, a reminder of our various online existences. Please find us at the following:
Web: Lux Mentis’ Website
Blog: Lux Mentis Blog
LinkedIn: Ian Kahn on LinkedIn
Facebook: Ian Kahn on Facebook
Facebook Page: Lux Mentis on Facebook
Twitter: Lux Mentis on Twitter
Thank you, again, for your support and consideration.


LoC-There's an app for that...

This might be the coolest app I’ve seen in a while, [N.B. I am a geeky bibliophile <g>.]

The app includes highlights of exhibitions and architectural features, with photos, audio by curators and other experts, links to more detailed online exhibitions, and even a video about the history of Thomas Jefferson’s Library, which in 1815 reconstituted the Library of Congress after the British burned the Capitol in the War of 1812. The architectural photos come courtesy of Carol M. Highsmith, who has been donating magnificent collections of images to the Library copyright-free, for the American people.

Jul 292010

[This was delayed by several weeks because the computer I first wrote it on died...sorry to those who have been waiting day after day :) ]

Dad and I went on an epic road trip this summer. We went to Washington, DC and then up to Philadelphia for the annual RBMS Pre-conference event. It was really fun.

First we drove down the my grandparents house in Annapolis, MD. We arrived a little late and didn’t have time to swim in the pool. We did have time to have some REALLY good ribs, though. I think they were from Red, Hot, and Blue.

The next morning we went to Washington D.C. We went to the Library of Congress and met with Mark Diminution. After dad delivered some books, he gave us a great a tour. We left the Rosenwald Reading Room to a balcony overlooking the main reading room. It is SO cool. Then he took us through these narrow corridors and stairs to the floor of the floor of the main reading room. It is hard to explain how amazing that room really is.

After that, he gave us a tour of the different areas of the LC which led to the BEST part of the day. Mr. Dimunation took us back into the vault where he showed us amazing things. I held Woodrow Wilson’s Nobel Peace Prize, Abraham Lincoln’s life mask, and Charles Dickens’ cane (he was my size). I saw the only journal kept on one of the sailors on Columbus’s ship (it’s the reason we know Columbus was a redhead), and I saw Galileo’s 1610 book which was the first book to show magnified images of the moon and planets. We learned that he hand set the chapter on Jupiter. The LC’s copy has inky fingerprints in this section that Mr. Dimunation says are Galileo’s until some proves him wrong. He also gave me the REALLY cool nickname, “Scooter” (I asked dad if he would call me this, too).

Then we went to Philadelphia for the RBMS show. I didn’t pay a lot of attention to the seminars but I met some interesting people. There were some great events and the food was wonderful. The first day we arrived we when to a party at Philadelphia Rare Book & Manuscript. There were perogies and a I got a yo-yo.

We went to a party that Jackie Dooley was throwing. It was in a very cool, long, narrow room behind a bright red door. She gave me really good lemonade. I met some more people but mostly I sat on the couch and played with my iTouch. We went to some other parties and events and I got tours of some interesting buildings.

The best part about Philadelphia was Jon’s Roast Pork a.k.a cheese steak heaven’ We went there twice. The first time we went there Cristina Favretto and Mark Diminution. When we arrived we saw that food network was filming a new show there. Dad, Mark, and I had AMAZING cheesesteak. Cristina got filmed ordering and eating a pork and spinach sandwich. The second time it was because Mr. Dimunation asked us to go to BREAKFAST with him there. We had cheesesteaks for breakfast. It was great.

We drove home through New York City and we picked up a bunch of books from Sotheby’s. Nintendo World would have been more fun. Dad and I had a really good time. I look forward to making more trips like it in the future.

It is worth noting that Amazon has stated that they are selling 100  ”hardback books” for each 180 “ebooks” they sell. It is an interesting statistic..but it is unclear what it actually means. I’d be curious to know how many trade/MM paperbacks they are selling against “ebook” sales. Far more importantly, what counts as an “ebook”. Is it 180 “books” in ebook format or is it 180 books, periodicals, newspapers, etc in ebook format. Context is everything.

One of my great regrets when I was thinking about launching Lux Mentis seven years ago was that I did not know about the Colorado Antiquarian Seminar. Attending would have been a tremendous help during those early years of trial and error (which, mind you, are continuing…the trial and error, at least). Every single young bookseller I know who has attended has sang its praises. By the time I knew of it, I had already been slogging along for several years and I ended up opting for a very different option. If I had it to do over again, I’d have attended the first year I started the company…I strongly encourage you to learn from my mistakes.

Brian Cassidy, an alum, has recently posted a very cogent article on the “why” of attending at Fine Books & Collections. In his words:

It is no exaggeration to say that the Seminar easily saved me two or three years of effort and learning on my own. Between the advice given, information bestowed, contacts made, and inspiration received it is an investment in time and money well worth making. Indeed, in the years since I attended I have made back what I spent on my trip many times over simply through the books I’ve sold to people whom I met via the Seminars.

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